The Advantage of a Church Upbringing

By: A.B. Timothy

I was raised a Christian and in the Church. I was born in 2001, and my mother has made sure that I attend almost every service I am physically able to. From Sunday Schools at 9:30 in the morning, to Midweek services to break up the repetitive school days of the week, I was in church every time the doors were open, and I wasn’t as sick as a dog. It wasn’t until college that this was put into perspective for me.

In the Fall Semester of 2023, I took a literature class at my local community college. This was a general literature class, going over the Western Canon of both British and American authors. At a point in the class, I was asked to speak with the professor outside the classroom, and I was worried I had done something to get into trouble. It was almost the opposite, however. When the professor spoke to me, he asked me about my religious background, and when I confirmed his suspicions of me being Christian and raised in the faith tradition, he enlightened me to something.

This thing that he brought to my attention was something that I took deeply for granted. I thought everyone grew up learning about David and Goliath, Adam and Eve, Cain and Abel, Jesus and the 12 Disciples, and all the other Sunday School-worthy Bible stories. I thought this because my church had a bus ministry when I was growing up, so I assumed every kid rode the church bus, even if their parents did not go anymore; they were still learning the basics of the Bible. I was disabused of that notion by my literature professor and my fellow students in that class.

The professor told me, “You will have an easier time understanding and catching on to the subtextual themes of much of the bibliography of the class than your peers, because of your upbringing.” He was right. When the class began studying a work written in the 19th century that had clear allusions to Christ crucified and King David, I was shocked when my group members looked at me like I had grown a third eye when I started naming off Bible books and stories. It was both strange and fun, however, because it allowed me to share my faith with my peers in a non-combative, learning environment, where my religion actually came in handy.

Today, I use my upbringing to help me develop real characters and to infuse my stories with biblical themes and messages without offending the readers. That is something I very much enjoy doing. It gives me a lexicon of themes, character archetypes, and even story arcs to draw from. Now that I know that much of the reading audience today does not know these themes from their childhood, I get to reintroduce them into the water supply. Hopefully, after reading my stories, people will find the Biblical tales more palatable and less offensive, because they will not be as alien to them.

What about yourself? How does or did your unique upbringing affect your storytelling lens? Did you grow up Christian, too? Did you maybe grow up in a different faith tradition, which gives you a totally different library of stories and characters to draw from?

Leave a comment below, or send me a message, or make a post mentioning me on either of the platforms below, let’s chat!

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The Cursed Sword

An Excerpt From: The Shards of Arthur’s Shield

By: A.B. Timothy

Thomas’s boots ran over cold, slick, and muddy turf as it changed from urban foot paths to the more wild floor of the woods. The sky disappeared overhead as he raced into the trees. Just before he crossed the treeline, he spotted the pale woman again. It was certainly dark enough for her to be out, but it still seemed early. The timeliness of her appearance did not faze Thomas; however, instead, he called out to her, “Run, Miss! Get out of here!” He only spared her a glance and a swiping hand of warning. He hoped she would get out of there, but she just stood her ground and watched him approach the treeline. Thomas gave up on her and turned his focus back on the path before him. She began to sing: “Arthurus, rex occidentis.” Thomas gave her another glance, and her mouth was still not moving, even this close, but that was the same voice he heard every night.

The way wound before him as he jumped over branches, slid under foliage, and pushed through weeds. After a minute of brushing, Thomas was shocked to hear his foe still pursuing him. Thomas questioned how that man had even managed to slip through some of the spots he had. It did not matter; what mattered was escape. “Arthurus, rex sepultus,” the siren kept singing.

Thomas slipped and fell face-first into the brush and only managed to turn over in time to see his foe breach the bush with a swipe of a sword. “There you are, you little rat, no one likes a rat in their backyard!” He brought his sword down, but it sank into the mud as Thomas had rolled away. The young man stood quickly, gathering a fistful of mud as he did.

“Can a rat do this?” Thomas threw the mud in the man’s face and took off into the brush again. He heard the man curse and roar in rage, and he knew his mud had made its target.

Thomas hopped over another fallen tree and pushed deeper into the woods. He could not remember ever being this deep before. He did not recognize the trees and only knew what general direction he was heading. He had passed his last established landmark a few strides ago. “Surge, Domine Matutinae,” the voice sang.

How had she been keeping up with him, and if she could keep up with him with enough breath to sing so sweetly, why hadn’t she come to his aid yet? Would she? Thomas decided he would not count on this clearly ethereal being. The thought crossed his mind to circle back, maybe try to get the jump on the bandit, but something called him deeper into the woods.

Surge, Mundus Vocat.” The words swam through Thomas’s mind, confusing him and dragging him further into the forest. The young man feared for his life. The armed bandit behind him, an unknown world in front of him.

Thomas stopped only long enough to catch his breath in a clearing. The moonlight shone down from above and painted the scene in a silver glow. The young man’s breath caught in his lungs. The grass, only moments ago green, was now coated in the moon’s silver; the trees, which had been changing color, now shone; and the little stream that ran nearby had pricks of light jumping into Thomas’s eyes. This place was strange, almost holy. It was as if God cut a hole in the trees just for this small meadow. To emphasize the thought, a head appeared to rise from the water, and if Thomas had not recognized it, he may have screamed and run for his life towards the bandit. The head in the water rose further, just enough to imply an entire woman underneath the surface; it was the pale woman, the siren. She opened her mouth and raised a hand from the water. The hand pointed at a small hill in the center of the clearing. She sang the words, but he knew them. Not what they meant in whatever language she was singing, but the words fell into the depths of his soul, and he knew them, “Tua ferrum manet.” That’s what she said, but in his heart, Thomas heard her sing, “Your sword awaits.”

Cold, muddy, bruised from his fall, and bleeding from a few different places, Thomas limped forward. A breeze rushed through the clearing, and from the hill several dozen leaves were blown. This revealed a rod of iron, clad in leather. The rod had a puck of wood on the bottom, and a first-quarter moon’s shape of wood on the top. He recognized the grip; this was the same grip he had been training with for the last half-month. Ideas of what this sword meant or why it was there came only much later, when Thomas was back at home, dry and safe. In the moment, however, all he knew was he had access to a weapon and his assailant drew closer. He wrapped his fingers around the blackened-with-age leather and gave it a tug, but it did not move.

The hilt was as rigid as a dead man, and the ground did not even shift. Thomas could hear the man who wanted to kill him draw closer, so he tried again. This time, he gripped the hilt with two hands and pulled with all of his strength, but nothing happened. The sword remained buried and unwilling to move. Thomas looked at the woman in the stream with panic in his eyes. The woman sang again, but this was a new line he had not heard before. The tempo was wrong, the notes were different, a new song? Why would she start singing something unfamiliar now? Then he noticed that her arm was still raised. She was pointing at him, but when he stepped to the side, her finger did not move; she was pointing at the sword, singing a new song.

“I don’t know those words,” Thomas pleaded. “I only knew that other line because you’ve been singing it to me since I was a child. Can you,” he struggled with the sword again, “can you even understand me?”

She sang the words again, and Thomas remembered his training. Before even lifting his sword, he needed to empty himself. He breathed in deep and as he exhaled, fear, doubt, pain, cold, sound, sight, language, and self left. He worried for a brief moment that he had gone too deep; what if he couldn’t recover himself this time? But then that worry was gone in the next breath.

The next time the lady in the stream sang her song, Thomas listened, free of even his own language. These words, this language, felt ancient, like something he should know as easily as he knew how to breathe. “Memento palmae meae, gladii potestatis, et esto liber.” The words meant nothing to Thomas, but being so empty, they filled his whole being. He tried once more to pull the sword free in his own strength, but still, nothing happened.

The words came to him once again, and Thomas breathed them out, allowing the memory of the pronunciation to vibrate through his vocal cords. He was never a singer, but if he could do that again, he might have become a bard later in life. The words sung from his lungs into the air and vibrated the sword. “Memento palmae meae, gladii potestatis, et esto liber.

The ground shook and almost threw Thomas to the ground, but his grip on the hilt steadied him. He pulled again. This time, at the end of his effort, when he gave all of his strength, the sword was released, and it slid free of the earth below. Lightning cracked across the otherwise clear night sky, blinding Thomas for a moment. The man raised the sword high into the sky and smiled. As the blindness cleared, he saw the sharp blade shining. The sight filled him with a warmth he had never felt before. Like someone was holding a torch to his stomach. His face was split by a smile that would not end. The silence of the moment was broken by Thomas’s hearty laugh. This was the best thing that could have happened to him. A sword given to him when he needed it most.

Typewriters & Libraries

By: A.B. Timothy

This afternoon, I was able to purchase a typewriter from another man here where I live. We met at the library, where I found a book on King Arthur. You can find a picture of that book on my X page ABTimothyAuthor. It is a very nice book. The typewriter I got, besides being a bit dusty, just needs some ink, and it will work great.

Sometimes what we need is little pieces of encouragement, like finding a great book, to get us through the day. The typewriter will likely only be a vanity piece for me to keep and cherish, but I will keep it as a reminder of how far we have come technologically, even in just the last 50 years.

Let’s talk about technological advancements, good books, and inspiration in the comments below. What keeps you inspired? How does reflecting on the technological progress of your ancestors bring you inspiration? Mention me on X or Facebook with a post talking about your inspiration at one of the social media links below.

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Writing as a Hobby vs. Writing as an Addiction

By: A.B. Timothy

Sometimes when I get writing, I can’t stop; it’s like I’ve been possessed by the Muse and she is wearing me down until I’m empty. Other times, I can write a few hundred words and call it good. I’ve heard many authors describe writing not as something they get to do, or something that is fun for them, but rather as a compulsion. If they don’t write, they will physically hurt, and I can relate to that. Sometimes when I am away from my keyboard for too long, I can feel my fingers start to itch, my mind begins to race with scene ideas, and my gut fills with the fear of missing out.

What is it like for you? Do you struggle to stop once you’ve started? Or can you manage only a few words per writing session? Do you, as many have expressed, feel compelled as if by a magic spell or curse, to write until your fingers start to cramp?

Let’s talk about our writing habits! Email me at AlfredoTBenedito@gmail.com or mention me in a post at either of the social media linked below.

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Digging for Gold

By: A.B. Timothy

Have you seen this meme?

Some days, when I’m writing, I feel like the man on top. Banging away at my keys, pushing aside shovel after shovel of dirt and prose that I’m bored by, only to finally reach that scene. Hopefully, you know the one. Every story and its author has that scene. A moment where the hero does something (finally) or a battle takes place or something! Something that makes those 8,000 words of prose that felt like a chore, worth it.

Two days ago, I finally reached that scene in The Shards of Arthur’s Shield. I spent the entire first 9,500 words not really sure, and knowing that I will probably have a lot of editing to do in those first few chapters, all so I could finally write the scene. The moment when my hero grasps the rotten leather wrapped around the hilt of the cursed sword, for the very first time. My fingers click-clacking across the keys when I wrote those 2,000 words was like the most refreshing song I’ve heard in a long time. This was the end of Act 1 and the moment when my hero, Thomas’s life ceased to be just that of a small village farm hand.

Now, however, I dread the next few thousand words. I am not sure how much editing I will have to do over the beginning of Act 2, but I know there will be some, because the next scene I am aiming at is not for at least another chapter or two. But I don’t want to be that bottom guy. I can’t bring myself to throw in the towel on this book. I love this story too much to just give up because the words got tough to write. I’ve got so many more scenes of gold I can’t wait to write: a tournament, a dragon slaying, a tower of madness, a final duel. I’m giddy to climb this mountain even if the trail is long.

That’s where I want to encourage you. Calling back to the heartbeat of this blog and my newfound desire to write, the Keeping the Beacon Lit article, this is only partially about me now. I know that the world needs this book; there are people out there who need heroes in their lives again. There are little boys who need to see what they could achieve, and little girls who need to see what it means to be a man, so they can look for that when they are older. So keep writing, if not for yourself, if the words are getting too hard to slug through, do it for them.

Need encouragement? Send me an email at AlfredoTBenedito@gmail.com, let’s chat about your struggles, and let me encourage you! Want to connect on socials? Follow me @ABTimothyAuthor on X or search for A.B. Timothy, Author, on Facebook. Or click either of the social media icons below!

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The Sword & The Stone

By: A.B. Timothy

sword in rock
Photo by Zain Abba on Pexels.com

The Sword in the Stone is a well-known image from the Arthurian myth. Dating back to the 13th century, when a French poet penned a prophecy from Merlin, who said that only the true king of Britain could take the sword from an anvil in a churchyard in London.

When I first saw The Sword in the Stone as a boy in Disney’s movie of the same name, I was inspired. It reminded me that there are good stories to tell, important stories, and western stories. Arthur was a young boy, like I was when I saw that movie, and it reminded me that even the smallest among us can do great things.

I don’t recall who said this (I would quote them directly if I did remember), but someone once said that King Arthur is the King David of Britain. I find that concept fascinating, and I started drawing connections between the two stories. Both are usually young men who are appointed to be king before they are physically ready; they both take swords from impossible situations; they both (in certain versions of the Arthurian myth) receive eyre from the current king; and they both are chosen by God to lead their lands into golden ages.

These similarities are very easily explained as the Anglo-Saxon/European people wanting a hero they can relate to. It must have been hard, I imagine, as a European storyteller, to relate to a hero you’ve read about fighting battles and living life in Israel thousands of years ago. So, what better way to engage yourself and your readers than taking what you know and retelling that heroic tale in the plains of western Europe and the grasslands of England?

Have you considered adding legends and tales of heroism into the world-building of your story? Who did your young protagonist look up to? Who killed the dragon a hundred years ago and received the title “Dragon Slayer”? The Wheel of Time, by Robert Jordan and Brandon Sanderson, does this flawlessly, in my mind. If you are wondering how to create deep world-lore, that series is an excellent case study.

The story of Arthur, the Sword in the Stone, the Lady of the Lake, the Green Knight, the Holy Grail, and the other myths and legends surrounding Britain’s Once and Future King played such a large part in inspiring me as a young reader and eventual writer. What inspired you? Let’s connect and chat about inspiration. You can click on either of the social media links below and leave a comment on the post with this article to continue the conversation, or leave a comment below if you have a WordPress account.

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Mid-October Progress Report!

Social Media Goals

Novel Goals

> X Growth
██████████▓ 97%
I am at 63 out of 65 followers on X today!
> A Weekly Short Story
██████░░░░░░ 50%
I have edited two new (to the blog) short stories for the weekly newsletters! Two more to go!
> A Weekly Newsletter
██████░░░░░░ 50%
Two Newsletters of the four planned for this month have been sent out! The newsletter currently has 16 subscribers!
> Daily Motivational/Non-fiction blogs
███▒░░░░░░ 35%
I have posted a non-fiction blog every day this month, save this past weekend when I only posted the short story on Saturday. This progress report puts me back on the wagon!
The Shards of Arthur’s Shield <
█████▓░░░░░░░ 44%
~9k Words Written so far!
The Early Years of a Great Mage <
░░░░░░░░░░░░░ 0%
I’ve yet to start working on this goal.
Brothers’ Feud <
░░░░░░░░░░░░░ 0%
I’ve yet to start working on this goal.
Historical Fiction Novel, Under Real Name <
░░░░░░░░░░░░░ 0%
I will continue to work on my Historical Fiction novel, which is written under my real name. (I will, promise!)

How’s it going?

How is it going? Well, it’s going! I am still breathing and, by the grace of God, writing! I am excited about the progress I’ve made on The Shards of Arthur’s Shield this month so far, and the social media progress, while it’s had its ups and downs, has been going up at a steady rate!

It’s all about sticking to it! Feel free to subscribe to this blog to see how my works progress, and also send your email my way so I can get you added to the weekly newsletter.

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A Young Man’s Nightmare

A Short Story by: A.B. Timothy

Claes ran. The stone walls of Kalmar Castle kept elongating further and further. There, up ahead, was a door, and under the door some light. The sword in Claes’ hand grew heavy and awkward as he also felt his stature shrink. He rammed his shoulder into the door, and after he got through it, he saw, in the torchlight, King Sigismund laughing with a wicked smile on his face as he held a bejeweled dagger over a female. Claes threw his sword in front of him to try and cut down the man, but his blade, like smoke, passed around the man. Claes looked at the woman, no, girl tied up in the chair. It was his beautiful Margaret, “Claes, run!” She screamed even as the bejeweled dagger was plunged into her heart.”

Claes blinked as he fell back in shock, rather than landing on his backside, like he expected to, his back was propped up by the stone wall of the hallway. He straightened and began running again. As fast as he could, his gait returned to normal, and the sword no longer felt awkward in his hands.

Over and over, every door his wife, young, old, how he knew her that day, dying over and over. Each time being killed by that traitor! Immolated, defenestrated, hung, blown to kingdom-come, all by the hand of that… that king who would dare call himself a Swede! All but one. Or so Claes remembers it. The last image he beheld before screaming himself awake, in a peaceful fluttering of eyelids, was this:

Margaret’s lightless eyes stared at him in horror as he held the pike that had run her through. The only evidence of the king’s presence was his wicked laughter somewhere in the distance. Her eyes stared into his, piercing his soul, as he screamed bloody murder.

His eyes fluttered open to the sound of peaceful birds chirping outside, somewhere in the distant trees, his beautiful wife lying peacefully, in her fullness of child, right next to him. Whole, and more importantly, hundreds of miles from the influence of that traitorous king.

Claes felt the sweat drip down his brow. He still could not escape that kind of dream unscathed. He looked down at his hands and saw blood. The old soldier shoved down a scream of terror, swallowed, blinked, and the blood was gone. “God is my refuge and strength.” He murmured to himself, as a tightly held breath left his lungs.

Tron: Ares, Movie Review

By: A.B. Timothy

Introduction

Tron: Ares is a movie released in 2025 by Disney, starring Jared Leto, Greta Lee, and Jeff Bridges. It is the third installment in the Tron franchise of movies and is a spiritual successor, rather than a direct sequel. Directed by Joachim Rønning, Tron Ares was released on October 10th, 2025. The ratings have been mediocre, with a critic’s rating on Rotten Tomatoes of 55% and an audience rating of 86%

My review will consist of three parts: Characters, Plot, and Pacing, concluding in an overall rating of my own.

Characters

In this movie, there are four characters that matter. The titular character of Ares, played by Jared Leto. The CEO of ENCOM, Eve Kim, played by Greta Lee. The CEO of Dillinger Systems, Julian Dillinger, played by Evan Peters. Lastly, a security program, called Athena, played by Jodie Turner-Smith. An honorable mention to Jeff Bridges, who reprised his role as Kevin Flynn, playing the guardian of the object of desire in the plot.

Ares

Ares is the most advanced security AI ever developed, across the board. During the opening of the film, we see Ares pitted against virus after virus. We see this from his perspective, inside the GRID (the digital frontier), intercut with the neural network presented as a digitized spiderwebbed vortex, along with shots of Julian Dillinger writing and executing the commands that train Ares. He is next shown to us receiving his name after his training is complete; he is called Ares and receives the title of Master Control, a title steeped in Tron Lore. We are then shown him being extracted from the Grid and brought to the real world as a tech demo by Julian, to receive government contracts as a weapons manufacturer. After the visitors had left, Ares approached the door of the massive facility where the demo was happening and reached his hand outdoors. For the first time, this program feels water falling on his skin, which begins his awakening.

Ares is a very compelling character because he dives into many philosophical questions. How human can AI be? Is it better to live eternally while suffering death every thirty minutes, or to live once the length of a human life?

Eve Kim

Eve Kim is the CEO of ENCOM, the successor of Sam Flynn, who disappeared again sometime between the events of Legacy and this movie. Her sister died of a disease, and Eve took up her sister’s work, finding what is called the “Permanence Code.” This code is the object of power and desire that drives the rest of the plot of the movie. It stops the 29-minute de-rez that happens to programs brought to the real world from the Grid, which includes plant life and infrastructure, not just AI like Ares.

It is the empathy Eve shows Ares that causes him to disobey his directive for the first time, after she is uploaded into the Grid, mirroring her predecessor, Sam Flynn.. She then partners with him for the rest of the movie to protect the permanence code, which eventually gets gifted to him by Kevin Flynn.

Overall, Eve Kim is a great character and plays her role as a friend and philanthropist well.

Julian Dillinger

Dillinger Systems is the rival technology company to ENCOM. Thus their CEOs are also at odds with one another. Julian is under stress from his board to get his market share back up and stop obsessing over the Permanence Code. He finds out that Eve has it, however, and sends Ares after Eve to stop her from getting the code to ENCOM and retrieving it for Dillinger Systems. This sets in motion the process of events which leads to his and Dillinger System’s ultimate downfall.

As a Foil for Eve Kim, Julian does an amazing job. Evan Peters portrays a desperate, manic, and boderline obsessive CEO who is playing with forces beyond his comprehension. His ending is the most tragic, while also being the most hopeful for a sequel.

Athena

The other Security AI, Athena, is totally obident to her directives, unlike Ares. She is sent to finish the mission Ares could not bring himself to finish. Retrieve Eve Kim, bring her back to the Grid, extract the permanence code from her disc and delete the carrier.

It is on this mission, however, after she watches Ares get uploaded into an acient rendition of the Grid, while she is about to upload Eve and complete her mission, the sprinklers inside the building, reminescent of the rain Ares felt at the start of the film, falls on her making her hesitate as she expierences the new sensation. Unlike Ares, however, who reacts to the rain by beginning his path to sentience and permanence, Athena allows this sensation to embolden her and turn against her Creator, Julian Dillinger, forgetting everything but the directive and locking the creator out of his override powers.

Athena is an amazing foil for Area and, paired with him, shows the two sides of the AI coin.

Plot

The plot summary is this: Eve Kim discovers the Permanence Code, needed to allow objects summoned from the Grid to remain in the real world indefinetly, and begins her return to ENCOM, to distribute the code. Meanwhile, Julian Dillinger designs, devlops, and deploys Ares, the Master Control, and the Perfect Weapon. The hitch is that this perfect weapon can only last in the real world for 29 minutes without the permanence code. Thus, Julian sends Ares and Athena out to retrieve the code from Eve Kim. Rather than let it fall into unworthy hands, Eve snaps the USB containing the code in two and throws it into the river. Julian anticipated this and enacted Plan B. Eve gets uploaded into the Grid. Ares has a change of heart and goes agains The Creator (Julian Dillinger)’s directive to kill Eve and retrieve the Permanence Code from her Identity Disc. Ares and Eve escape the Grid together and are chased by Athena in the real world. Athena runs out of time the first time she is sent out. Then decides that she will succeed at all costs, killing people in the process. Athena is then confronted by Ares, who has been transformed by a meeting with Kevin Flynn, and has recieved permanence. They battle, and Ares defeats Athena. Meanwhile a team of hackers form ENCOM manage to infiltrate and crash, or “nuke” as they call it, the Dillinger Systems servers, winning the day.

The Plot is very much a monomyth story about a an AI learning to become mortal. Flynn calls the “Permanence Code” the “Impermanence Code” as he realized that if this code was used, these programs would stop being imortal lines of code on servers and gpus, and would begin to age, decay, and die like humans. The time Ares spends in Flynn’s server helps him solidify his new identity and decide that he truly wants to be mortal, because things passing away is what gives them meaning.

I give the plot, all around, a 9/10 because it tackles a very human story. This is even called out by Julian who asks Eve, “What? And turn Pinocchio here into a real boy?” refering to Ares.

Pace

The pace is wonderful. Breakneck from start to finish. The only time it slows is during the scenes between Ares and Flynn in the old server Ares is uploaded to. These breaks are much needed and allow us to process the threat that our heroes in the real world are facing.

Conclusion

I give Tron: Ares a 9/10 overall. As a life-long lover of the Tron franchise, I was thrilled to see all of the eras of Tron come together into this story. I am excited for a sequel if it comes.

Plugs

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Poetic Storytelling

By: A.B. Timothy

When telling modern stories, we can often lose the poetry of a good story. Poetry, many forget, is not just about rhyming cuplets, verse, or meter; it’s about the flow, it’s about the art of telling a captivating story. It’s about having a villain who reflects your character and asks them, “Why aren’t you me?” It’s about fantasy, the small farm boy ascending to become the hero that destiny needs him to be. The girl stuck in a dead-end minimum-wage job who gets swept off her feet by a prince who stumbles into her shop to avoid the paparazzi.

Love, adventure, action, drama, prose, and character, these are poetry. These things form the backbone of a good story and a story that people will talk about forever. We still talk and write stories about King Arthur because his story is so poetic. He is a man who came from nothing (in some tellings), or everything, and chose still to rise to the occasion that destiny had called him to. In some tellings, he is the son of the king who has to overcome the arrogance and pride that come with the station, and in others, he is a farm boy tasked with retrieving a sword, and stumbled upon the sword in the stone.

A poetic story is one that can draw the reader in and ask them, “How can you be like the hero?” Arthur calls us to a higher caliber of manhood.

Cinderella is one for the ladies. She begins the tale as someone who has the world offered to her by her loving father, but then has it all taken away by her evil stepmother. Eventually, she woos the prince, but not with her beauty; she woos him with her heart. She did not take the evil treatment by her step-mother and sisters to heart; instead, she persevered and was rewarded for it by her fairy godmother. This gave her the opportunity to let her true heart shine at the ball.

Growing up, I didn’t know a single boy who did not look up to a hero, or a girl who did not wish for her prince charming. This is because these stories speak to our hearts as poetry should.

When you are writing, either actual poetry or if you’re just trying to tell a poetic story, try to remember what moved your heart, remember whose heart you want to move with this story, and write that story. Because I believe we all have a poem inside us that is begging to be unleashed onto the page.

What do you think?

Do you believe stories should be poetic, or is mindless entertainment good enough for you? Let me know in the comments below, or by tagging me in a post on X @ABTimothyAuthor, or by commenting on my Facebook page, both of which you can find below at the simple click of an icon.

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