A Response to Ryan Williamson’s 10/31 AI Discussion

By: A.B. Timothy

On October 31st, 2025, Ryan Williamson, a fellow writer and someone I would consider a peer, both here on WordPress and on X, posted an article on his WordPress entitled, “Far More Authors Than You Think Are Using AI—Guess How Many Won’t Admit It?” There, he discussed the growing trend in the use of Generative AI amongst writers. I originally meant for this “article” to be a comment on his blog, but it grew too big. So here it is instead:

Hey Ryan,

Great Article, man, very articulate and well thought out from the perspective of someone pro the new technology.

I, as I have mentioned on X, have used Grok (an X-based LLM) recently to help me brainstorm ideas to grow and expand my reach on X and grow my audience. This has helped. I’ve gained several followers, I changed my bio, and have been able to put out many copies of my Free Chapter to new followers. And I have begun engagement-hooking, with images and written hooks for RT’s and Replies. I’ve only begun building momentum with these “tricks” all at the suggestion of Grok. I’ve never taken anything from Grok directly, only used him as a backboard to bounce ideas off of and look for tips.

I say all of that so you know that when I say this next part, I understand that it might be seen as throwing stones from a glass house, on my part. I think a lot of readers have AI trust issues. By that, I am referring to your Spock meme in this post. It may be illogical (it is), but humans are illogical creatures. When I hear a writer has gone ahead and outlined their story with AI or allowed the AI to write portions of it for them, I don’t like it. When writers and artists hide their usage of AI, and then it is revealed that they used AI, I feel betrayed.

Paul Atredies Glimpsing the Golden Path

I imagine this feeling of betrayal is something not unique to me. I believe many others undergo it too. This whole conversation of AI versus humans is something that I have given much thought to. For this reason, I have chosen to pay a non-insignificant amount to a human artist who has been commissioned by people I trust (and who I believe is a peer of ours on X), to create the cover for my debut novel. I want as much humanity in my stories as possible. I see a golden path for humanity, but in only mere glimpses. When it graces my sight, I set my heading for that impossible star, and sail in search of a dawn I only pray will come one day.

Does this mean I think creativity is cooked? No. I believe even if we artists fail today, and the industry is wiped out by gleaming-enticing-objectively “beautiful” piles of AI garbage, someone else, one day, will see the golden path again and lead a jihad in the name of humanity. The right to create, to express dominion over, and to rule God’s creation was given to us. Not the rocks we have tricked into thinking for us.

So, Ryan, thank you for making a thought-provoking article that inspired me to write this response. I pray for good health for your family and loved ones, and hope we can continue to pursue our creative endeavors as peers and men of quality.

With Respect and Humanity,
A.B. Timothy, Author

If you are reading this on my blog, go subscribe to Ryan’s blog over on Ryanwilliamson.com “Beyond the Margins” is always ripe for a good read.

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Happy Halloween, let’s get spooky!

By: A.B. Timothy

Let’s get spooky! Like the title says, I want to prompt you all to write me a spooky short story using your current characters, and enjoy your time celebrating this day if you do. If you finish it today, or just whenever, share it here on WP or on X and and tag me (if on X @ABTimothyAuthor) or tag this post by linking to it!

Stay safe tonight and prepare for November!

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Objectivity in Poetry

By: A.B. Timothy

Yesterday, I discussed the need for an Objective Authority in the fields of debates and arguments. Today, I will discuss, in a similar vein, the need for objectivity in more creative fields.

In college, I was tasked with a poetry assignment in what they called “Free Verse.” My teacher recognized that the idea of a lack of methodology annoyed me, and told me that this would be good for my creative journey. I did it, I did as I was told. Now, two years later, I’ll agree with that teacher; it was good for my creative journey. Because if I had not been forced to participate in such a horrid act of literary chaos, I might never have come to hate it as much as I do.

These days, when I see a poem in free verse, I will usually skip it, or I will groan before reading it anyway. I still have to know what people are saying after all. Even if I don’t want to read it. This is why you will never find a poem of mine without a structure.

Does that mean the structure must be “ABABCDCD?” No! Absolutely not. But if there is no visible structure or comprehensible idea that acts as the flow from one point to the next, I don’t want to read it! At that point, I can go read the First Book of The Fellowship of the Ring for flowery prose.

I’ll use my own work from The Shards of Arthur’s Shield as an example. Below is the Poem, “Arthur’s Call”

“Arthur, king of the West,
Arthur, king, laid to rest.
Arise, lord of the morning,
Arise, the World is calling.
Your sword awaits,
Your Shield Abaits.
Arise, the World is calling,
Arise, lord of the morning.
Arthur, king, laid to rest,
Arthur, King of the West.”

It does rhyme, true, but the Latin form you will find in my book does not. This, however, still works as poetry because it has structure. The work is a mirror like a lake’s calm surface, broken by the two items of power, the sword and the shield. There is more to it than just what is being read.

When we start to lose objective standards in poetic literature, we begin to lose culture, and I would hate to see that happen.

Next time you get asked to write a poem or next time you feel inspired to write a poetic scene, remember to look past the surface and give it a greater meaning.

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The Bible: The Missing Key to Western Literacy

By: A.B. Timothy

red and white concrete church on green grass field

I wrote a little bit about this topic in my post the other week called: “The Advantage of a Church Upbringing.” There, I wrote about my experience in a literature class at my local community college, where my professor explained to me the advantage I would have over my peers, and how right he was. In the West, our literature is so supremely Christian that even the works that profess a lack of faith in God are best understood with a biblical lens, simply because the author was him/herself biblically literate.

Some may argue that it only matters if you read books that were written before our grandparents were alive, but that is not true. Literary magazines today are still full of stories penned by authors who, while claiming atheism, borrow from the Christian worldview to make their arguments or get across their themes. Take the recent story “Cream” for example, which you can read here. This story contains a scene where there is a car that proclaims the Gospel of Jesus Christ over loudspeakers. If you’ve not studied Christian literature, like the Gospels, you will be clueless as to the implications this has in the story and what it could mean for the themes and plot. Yes, it is true, the story is Japanese, and these cars are a common occurrence in many Japanese cities, but the author could have chosen to have his character ignore this detail, but he did not. Instead, he made explicit not of it. This tells us it matters to the story.

An image of The Lord of the Rings book series

There are so many other examples of this in the world of fiction, both speculative and literary. Perhaps the most famous example of this is The Lord of the Rings by J.R.R. Tolkien. This brilliant man did a fantastic job making his works readable and enjoyable for the average reader, but the depth opens up to a canyon of meaning if you are familiar with Biblical themes and subtextual ideas. The idea of the Three Types of Christ, talked about by many scholars and casual Christian fans alike, is something that will go completely unappreciated and unnoticed by people who are ignorant of Christian literature.

The Prodigal Son returns to his father. A picture of the wayward believer coming back to God.

Are you a Christian? It’s not my place to judge the destiny of your soul; all I can do is encourage you. If you aren’t a Christian, that’s okay, for now anyway. In either case, if you aren’t already, go familiarize yourself with the gospels at a bare minimum, and get to understand the themes of sacrificial love, resurrection, devotion, betrayal, brotherhood, and humanity found in them. Read some parables taught by Jesus. Have you ever wondered what someone meant when they said “prodigal”? Well, the meaning of it is at your fingertips, in Luke 15:11-32. That story would be a great place to start, and it will help you begin to see the literary designs of God’s Love.

Interested in seeing Biblical themes in literature discussed further? Go check out Arthurian Aesthetics on X. He has a fantastic blog, and one of his posts talks about the Prophet Jeremiah’s role in bringing relics to Britain.

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End October Progress Report!

Social Media Goals

Novel Goals

> X Growth
██████████ 100+22%
I am at 79 out of 65 followers on X today!
> A Weekly Short Story
██████████ 100%
I have edited three new (to the blog) short stories for the weekly newsletters! The fourth one was an excerpt from TSOAS
> A Weekly Newsletter
██████████ 100%
Two Newsletters of the four planned for this month have been sent out! The newsletter currently has 17 subscribers.
> Daily Motivational/Non-fiction blogs
███████▒░░ 74%
I have posted a non-fiction blog for the majority of days this month! Including this progress report, I am at 20/27. I want to finish strong. Pray for me.
The Shards of Arthur’s Shield <
██████████ 100%
21,211 Words in total this month. November’s goals are going to be insane!
The Early Years of a Great Mage <
██░░░░░ 29%
I am just under 2,000 words. I write these blogs before I begin writing prose for the day, so I should be at 50% on this goal before the day is out.
Brothers’ Feud <
░░░░░░░░░░░░░ 0%
I’ve yet to start working on this goal. I work linearly, so I will get to this as soon as the 5k for EYGM is done.
Historical Fiction Novel, Under Real Name <
░░░░░░░░░░░░░ 0%
I will continue to work on my Historical Fiction novel, which is written under my real name. (I will, promise!)

How’s it going?

The last few weeks have been rough. Hormonal imbalances, dietary stupidity on my part, and lack of discipline have been eating at me. I will be finishing this month strong and will be announcing huge goals for November (Teaser: Ever heard of NaNoWriMo?)

It’s all about sticking to it! Feel free to subscribe to this blog to see how my works progress, and also send your email my way so I can get you added to the weekly newsletter.

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The Man at Craginth

A Short Story by: A.B. Timothy

And behold, Elyon spoke, saying, “Thus, when you ask for my mercy, leave none of your disgrace hidden. I am perfect in mercy, but only to those who are true in repentance.” Publo Magister looked from his copy of the holy text to the children who sat in a semicircle around him, listening intently to the story of the repentant killer. Ocis felt his heart swell. Publo continued to read the scripture. He fell to the ground, lying flat upon his stomach, and cried for forgiveness. Lying before Elyon all that he had ever done from childhood. “Please, Lord, I am unworthy to be seen by you, for now you know all my heart.” “Child,” Elyon said, “I have always known your heart, from the beginning. Now you know all your heart and the true, profound wickedness thereof. Arise, go and confess all this that you have to me, to the man of the Temple at Craginth, he has heard from me and will instruct you further.” Ocis arose and did as he was told, pursuing the Lord even until his last days.

One of the children threw up his hand as Publo finished reading. “Yes, James?”

“Bard Magister, is that something everyone must do? Sister Elvera said that we must be ready, and to be ready, we must do what the scripture says. Do we all need to go to Craginth and find the man whom Elyon has spoken to?” James asked.

“Well, James, Craginth was lost many years ago, during the last Burning War,” Publo said.

“Well, maybe I can find it again, so everyone can do what Elyon said to do, again,” James said.

“Perhaps you can,” Publo said.

The man’s back was weighed down with cuts and bruises from a hail of arrows. He and his two brothers had been the only ones to wade through the hail alive. The man still saw, before his eyes, the fading light of his lover’s eyes. Her mouth was frozen agape, eyes wide, and blood trickling from both eyes and mouth. He shook his head to throw away the image. He turned to his shrinking brother on his right and asked, “Brother Burn, how much further?”

“Brother Man,” the shrinking Burron turned to his smaller brother whilst ripping his ax free from the neck of a Burron who had stood in their way, “the star-line says we are only a few hours away.” The Burron aged backward, beginning as a giant and shrinking as they aged.

“Shouldn’t…” The two brothers turned to their lanky third, an elf, and saw the tears running down his face. He pulled his spear from the ineffective shield of a Burron. His tears nearly broke his otherwise stoic speech pattern. “Shouldn’t we rest for the evening? Finish our trek in the morning?”

The man slowly shook his head and looked up at dark clouds that shadowed the valley of the great twin rivers that flowed down toward the faraway ocean. The castle of men that once stood perched next to the rivers along an ocean-side cliff was now half crumbled and smoke, from feed-fires, billowed up, feeding the clouds, along its once great wall. The man looked back to the field of battle and saw again his lover’s eyes now dim. Hadn’t he given enough? Had he not suffered enough for a lifetime, let alone his short twenty years? Apparently, he had not, because the Guide of Elyon knocked on his heart’s door even now; he knew what needed to be done.

“Have you both heard the story of Ocis?” The man asked. He looked from brother to brother, and they both nodded in understanding. “If we truly are approaching the city of darkness… our fathers prepared us well, I think.” The man looked back towards this half-crumbled tower of darkness and felt the weight of the metal plates that hung on his back and chest. Loosening the straps, the plates fell away. The gauntlets soon followed. His hair, matted and muddy with dirt and blood not his own, stuck to his helmet as it was lifted from his ears. He set all these things aside and lowered his head as deeply as he could manage. He still felt the Guide’s knock. He stood and removed his sword, his leg guards, and sabatons, laying them all aside with the rest of his armor. He heard his brothers doing the same. As his, now cloth-covered, legs touched the ground, he felt the knocking stop, and the guide approached him. He felt an overwhelming presence before him just beyond his eyelids. “Open your eyes, child, as you have opened your heart.”

The man opened his eyes and everything was gone, the mountains to either side of the battlefield, the bodies, and the dark castle, were all erased in favor of a void. Not black, no, the presence before the man was too great to call the emptiness black. Speech did not avail our hero, as the presence spoke again, “You come before me, child, seeking what?”

“Mercy, Your Grace, I seek only mercy for me and my brothers as we accomplish your will in this next day of battle.” The man said.

“Henry, my child, have you forgotten your own name?” The presence pulsated and moved with the voice.

“My name, Lord?” Henry said.

“Yes, for when you think of yourself, you have become merely ‘the man.’”

“That is the name the prophets gave, ‘the man.’” Henry said.

“My prophets were not told the name of my chosen, because it was not theirs to give. But they gave you other names, did they not?”

“Yes, L’ordi, Jerki, and Ot’undi,” Henry said.

“But I have called you Henry, since the day you first saw me, have I not?”

“You have.”

“So what is your name?”

“My name is Henry, my lord.”

Thus, when you ask for my mercy, leave none of your disgrace hidden. I am perfect in mercy, but only to those who are true in repentance…” The whole scene, as if his father was reading it to him out of the holy text. He felt his heart swell, he fell to his stomach, he cried, he confessed, and he was commanded. Henry arose and did as he was told, pursuing the Lord even until his last days.

New Things

By: A.B. Timothy

Exposing yourself to new things is hard. It takes willpower to explore things that might make us uncomfortable. That is not a bad thing; however, unless you are recovering from a concussion and using your brain too much can actually hurt you. If that doesn’t sound like something you’re going through, get out there! Explore your city/town, check out a new bookstore, try a new coffee shop, or hike a new trail. Now, sometimes the comfortable is reliable, cheaper, and better, but sometimes it’s not. For example, today I am writing this at a new coffee shop about 20 minutes farther away, and I got the same drink I usually get at my regular store. Two things: 1: the coffee tastes a bit better, and 2: the portion sizes are a little bigger while being almost half the price.

The very same is true for writing. Are you twenty thousand words deep into a Fantasy book and stuck? Try something new, it doesn’t have to be in that world, or maybe it can be. Try writing from a new POV, or write a far-flung story that takes place in the same world but 4,000 years in the future. This could be the refresher you need to reignite the spark of inspiration and finish the story you are stuck on.

Now, does this mean you have to abandon what you started with? No way! Do I think I’ll spend an extra 20 minutes driving out here to this coffee shop for a little bit better coffee and a smaller price tag (which might not be as enticing after the gas prices)? Probably not. But maybe once a week I’ll trek out here and enjoy a little time away from my usual routine. Maybe next time I come out here, I’ll see this nice lady Rachel I met today, again, and we’ll hit it off, who knows what could happen.

What about you? Have you tried new things? Will you try new things? Tell me about a time when you tried a new thing and something beautiful came out of it. Leave that tale in the comments or on one of my social media pages linked at the icons below.

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Running Across the Finish Line

By: A.B. Timothy

When, in life, you approach a finish line of any goal, you must run. To finish the game you must do your best until the very end. If your form slips, your ankle twists, or your voice goes out, you must find a way to press on and finish strong.

This month, for example, I have set myself goals. I want to write 25k words plus an outline. I am only 10k away from completing this goal of mine, but that means I must write more than one thousand words every day between now and the end of the month if I am to achieve this goal. That is more than doable. I had a November several years ago where I wrote three thousand words every day the entire month, so I know I can do one thousand for a few days.

That is where I want to inspire you, dear reader, what goals did you set for yourself this month? Or even this year for that matter. Can you finish them strong? Can you pursue them, running through the finish line? I believe you can, and that you should!

Struggling? That’s okay. Reach out to me via email, or DM me on Facebook or X and we can chat about your current goals and how you can achieve them!

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The Advantage of a Church Upbringing

By: A.B. Timothy

I was raised a Christian and in the Church. I was born in 2001, and my mother has made sure that I attend almost every service I am physically able to. From Sunday Schools at 9:30 in the morning, to Midweek services to break up the repetitive school days of the week, I was in church every time the doors were open, and I wasn’t as sick as a dog. It wasn’t until college that this was put into perspective for me.

In the Fall Semester of 2023, I took a literature class at my local community college. This was a general literature class, going over the Western Canon of both British and American authors. At a point in the class, I was asked to speak with the professor outside the classroom, and I was worried I had done something to get into trouble. It was almost the opposite, however. When the professor spoke to me, he asked me about my religious background, and when I confirmed his suspicions of me being Christian and raised in the faith tradition, he enlightened me to something.

This thing that he brought to my attention was something that I took deeply for granted. I thought everyone grew up learning about David and Goliath, Adam and Eve, Cain and Abel, Jesus and the 12 Disciples, and all the other Sunday School-worthy Bible stories. I thought this because my church had a bus ministry when I was growing up, so I assumed every kid rode the church bus, even if their parents did not go anymore; they were still learning the basics of the Bible. I was disabused of that notion by my literature professor and my fellow students in that class.

The professor told me, “You will have an easier time understanding and catching on to the subtextual themes of much of the bibliography of the class than your peers, because of your upbringing.” He was right. When the class began studying a work written in the 19th century that had clear allusions to Christ crucified and King David, I was shocked when my group members looked at me like I had grown a third eye when I started naming off Bible books and stories. It was both strange and fun, however, because it allowed me to share my faith with my peers in a non-combative, learning environment, where my religion actually came in handy.

Today, I use my upbringing to help me develop real characters and to infuse my stories with biblical themes and messages without offending the readers. That is something I very much enjoy doing. It gives me a lexicon of themes, character archetypes, and even story arcs to draw from. Now that I know that much of the reading audience today does not know these themes from their childhood, I get to reintroduce them into the water supply. Hopefully, after reading my stories, people will find the Biblical tales more palatable and less offensive, because they will not be as alien to them.

What about yourself? How does or did your unique upbringing affect your storytelling lens? Did you grow up Christian, too? Did you maybe grow up in a different faith tradition, which gives you a totally different library of stories and characters to draw from?

Leave a comment below, or send me a message, or make a post mentioning me on either of the platforms below, let’s chat!

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The Cursed Sword

An Excerpt From: The Shards of Arthur’s Shield

By: A.B. Timothy

Thomas’s boots ran over cold, slick, and muddy turf as it changed from urban foot paths to the more wild floor of the woods. The sky disappeared overhead as he raced into the trees. Just before he crossed the treeline, he spotted the pale woman again. It was certainly dark enough for her to be out, but it still seemed early. The timeliness of her appearance did not faze Thomas; however, instead, he called out to her, “Run, Miss! Get out of here!” He only spared her a glance and a swiping hand of warning. He hoped she would get out of there, but she just stood her ground and watched him approach the treeline. Thomas gave up on her and turned his focus back on the path before him. She began to sing: “Arthurus, rex occidentis.” Thomas gave her another glance, and her mouth was still not moving, even this close, but that was the same voice he heard every night.

The way wound before him as he jumped over branches, slid under foliage, and pushed through weeds. After a minute of brushing, Thomas was shocked to hear his foe still pursuing him. Thomas questioned how that man had even managed to slip through some of the spots he had. It did not matter; what mattered was escape. “Arthurus, rex sepultus,” the siren kept singing.

Thomas slipped and fell face-first into the brush and only managed to turn over in time to see his foe breach the bush with a swipe of a sword. “There you are, you little rat, no one likes a rat in their backyard!” He brought his sword down, but it sank into the mud as Thomas had rolled away. The young man stood quickly, gathering a fistful of mud as he did.

“Can a rat do this?” Thomas threw the mud in the man’s face and took off into the brush again. He heard the man curse and roar in rage, and he knew his mud had made its target.

Thomas hopped over another fallen tree and pushed deeper into the woods. He could not remember ever being this deep before. He did not recognize the trees and only knew what general direction he was heading. He had passed his last established landmark a few strides ago. “Surge, Domine Matutinae,” the voice sang.

How had she been keeping up with him, and if she could keep up with him with enough breath to sing so sweetly, why hadn’t she come to his aid yet? Would she? Thomas decided he would not count on this clearly ethereal being. The thought crossed his mind to circle back, maybe try to get the jump on the bandit, but something called him deeper into the woods.

Surge, Mundus Vocat.” The words swam through Thomas’s mind, confusing him and dragging him further into the forest. The young man feared for his life. The armed bandit behind him, an unknown world in front of him.

Thomas stopped only long enough to catch his breath in a clearing. The moonlight shone down from above and painted the scene in a silver glow. The young man’s breath caught in his lungs. The grass, only moments ago green, was now coated in the moon’s silver; the trees, which had been changing color, now shone; and the little stream that ran nearby had pricks of light jumping into Thomas’s eyes. This place was strange, almost holy. It was as if God cut a hole in the trees just for this small meadow. To emphasize the thought, a head appeared to rise from the water, and if Thomas had not recognized it, he may have screamed and run for his life towards the bandit. The head in the water rose further, just enough to imply an entire woman underneath the surface; it was the pale woman, the siren. She opened her mouth and raised a hand from the water. The hand pointed at a small hill in the center of the clearing. She sang the words, but he knew them. Not what they meant in whatever language she was singing, but the words fell into the depths of his soul, and he knew them, “Tua ferrum manet.” That’s what she said, but in his heart, Thomas heard her sing, “Your sword awaits.”

Cold, muddy, bruised from his fall, and bleeding from a few different places, Thomas limped forward. A breeze rushed through the clearing, and from the hill several dozen leaves were blown. This revealed a rod of iron, clad in leather. The rod had a puck of wood on the bottom, and a first-quarter moon’s shape of wood on the top. He recognized the grip; this was the same grip he had been training with for the last half-month. Ideas of what this sword meant or why it was there came only much later, when Thomas was back at home, dry and safe. In the moment, however, all he knew was he had access to a weapon and his assailant drew closer. He wrapped his fingers around the blackened-with-age leather and gave it a tug, but it did not move.

The hilt was as rigid as a dead man, and the ground did not even shift. Thomas could hear the man who wanted to kill him draw closer, so he tried again. This time, he gripped the hilt with two hands and pulled with all of his strength, but nothing happened. The sword remained buried and unwilling to move. Thomas looked at the woman in the stream with panic in his eyes. The woman sang again, but this was a new line he had not heard before. The tempo was wrong, the notes were different, a new song? Why would she start singing something unfamiliar now? Then he noticed that her arm was still raised. She was pointing at him, but when he stepped to the side, her finger did not move; she was pointing at the sword, singing a new song.

“I don’t know those words,” Thomas pleaded. “I only knew that other line because you’ve been singing it to me since I was a child. Can you,” he struggled with the sword again, “can you even understand me?”

She sang the words again, and Thomas remembered his training. Before even lifting his sword, he needed to empty himself. He breathed in deep and as he exhaled, fear, doubt, pain, cold, sound, sight, language, and self left. He worried for a brief moment that he had gone too deep; what if he couldn’t recover himself this time? But then that worry was gone in the next breath.

The next time the lady in the stream sang her song, Thomas listened, free of even his own language. These words, this language, felt ancient, like something he should know as easily as he knew how to breathe. “Memento palmae meae, gladii potestatis, et esto liber.” The words meant nothing to Thomas, but being so empty, they filled his whole being. He tried once more to pull the sword free in his own strength, but still, nothing happened.

The words came to him once again, and Thomas breathed them out, allowing the memory of the pronunciation to vibrate through his vocal cords. He was never a singer, but if he could do that again, he might have become a bard later in life. The words sung from his lungs into the air and vibrated the sword. “Memento palmae meae, gladii potestatis, et esto liber.

The ground shook and almost threw Thomas to the ground, but his grip on the hilt steadied him. He pulled again. This time, at the end of his effort, when he gave all of his strength, the sword was released, and it slid free of the earth below. Lightning cracked across the otherwise clear night sky, blinding Thomas for a moment. The man raised the sword high into the sky and smiled. As the blindness cleared, he saw the sharp blade shining. The sight filled him with a warmth he had never felt before. Like someone was holding a torch to his stomach. His face was split by a smile that would not end. The silence of the moment was broken by Thomas’s hearty laugh. This was the best thing that could have happened to him. A sword given to him when he needed it most.